Raúl Cordero Studio

Official updates on the work of Raúl Cordero

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    • Raúl Cordero: An Art of Transition
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    • Raúl Cordero: Seeing it my way
    • Painting… and why not?
    • La pintura de Raúl Cordero o la sacralidad de la imagen
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Presentation of Monograph “RAÚL CORDERO”. Turner Books. La Central Book Store, Museo Reina Sofía. Madrid, Spain

15 January, 2011

Raúl Cordero represents through his work the “other Cuban art”. Far from the standards of Revolution art, and without falling into topics of other artists from in and out of the island, Cordero “samples” pretexts whimsically obtained from various referential origins (press, magazines, books, TV, photography and video) and shows us his work as a result of recycling, of a revival, creating a new reality that refers more to Art than to any other apparent content.

 

The texts of Bruce Ferguson, Barry Schwabsky and Kevin Power and the interview with Omar-Pascual Castillo go deep into the universe of this artist, who with false frivolousness and irony, subverts, provokes and questions the proper essence of what he produces at every instant.

 

See at Turner Books home page

 

 

“Slow Paintings” at Museum Morsbroich. Leverkusen, Germany (group show)

24 November, 2009

Artists: Tomma Abts, Ross Bleckner, Alighiero e Boetti, Michaël Borremans, Gillian Carnegie, Raúl Cordero, John Currin, Alexander Esters, Bernard Frize, Franz Gertsch, Andrew Grassie, On Kawara, Konrad Klapheck, Jochen Kuhn, Sebastian Ludwig, Michel Majerus, Fabian Marcaccio, Rodney McMillian, Jonathan Monk, Reinhard Mucha, Manuel Ocampo, Roman Opalka, Laura Owens, Magnus Plessen, Ad Reinhardt, Bernd Ribbeck, Adrian Schiess, Pablo Siquier, Andreas Slominski, Cheyney Thompson, Corinne Wasmuht, Ekrem Yalçinda

Curated By: Fritz Emslander, Markus Heinzelmann, Stefanie Kreuzer

November 24, 2009 – February 7, 2010

 

See at Museum Morsbroich home page

 

 

RAÚL CORDERO: “Hendrickje”. Galería Servando. Havana, Cuba (solo show)

29 October, 2009

On October 10th, 2009, Raúl Cordero began to make nine different paintings, all the same size. Among them, the paintings reference various classical genres in the history of painting: portrait, landscape, still life, abstraction. Each painting was meant to stand alone. However, assorted elements of a painting by Rembrandt van Rijn, Hendrickje Stoffels, badend in een rivier (1654) are mixed into the composition of all. On October 29th, Cordero placed the nine paintings together as a grid to take an aerial photo, trying to recover the figure of Hendrickje Stoffels in Rembrandt’s scene from the elements present in his paintings.

 

 

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    • VIDEO WORK ARCHIVES
  • CHRONOLOGY
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  • TEXTS
    • Raúl Cordero: An Art of Transition
    • Raúl Cordero and The Measure of Art
    • Raúl Cordero: Video Without Video Equipment
    • New Rules of the Game: Painting As Process
    • Being Raúl Cordero: Aporias of Painting
    • Raúl Cordero: Seeing it my way
    • Painting… and why not?
    • La pintura de Raúl Cordero o la sacralidad de la imagen
  • REPRESENTATION
  • CONTACT

Upcoming Exhibitions

Raúl Cordero: THE WORLD IS FLAT. Fredric Snitzer Gallery. Miami, Florida, USA. March, 2024 (solo show)

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Raúl Cordero Studio
  • NEWS
  • ARTWORK
    • 2023
    • 2022 – 2021
    • 2020 – 2019
    • 2018 – 2017
    • 2016 – 2015
    • 2014 – 2013
    • 2012 – 2011
    • 2010 – 2009
    • 2008 – 2007
    • 2006 – 2002
    • 2001 – 1996
    • VIDEO WORK ARCHIVES
  • CHRONOLOGY
  • VIDEOS
  • PUBLICATIONS
  • TEXTS
    • Raúl Cordero: An Art of Transition
    • Raúl Cordero and The Measure of Art
    • Raúl Cordero: Video Without Video Equipment
    • New Rules of the Game: Painting As Process
    • Being Raúl Cordero: Aporias of Painting
    • Raúl Cordero: Seeing it my way
    • Painting… and why not?
    • La pintura de Raúl Cordero o la sacralidad de la imagen
  • REPRESENTATION
  • CONTACT